St Alban's Cathedral, Hertfordshire
Address
The Cathedral and Abbey Church of St Alban, Sumter Yard, St Albans AL1 1BYTheme
Overview
Much of the stained glass is from the major late 19th and early 20th century studios, in particular Burlison & Grylls, while the dramatic west window is by Ninian Comper, 1925. From an earlier period are two panels in the north wall of the nave from Cologne, c.1520, while contemporary glass is represented by a vibrant south aisle window on the life of St Columba and the Virgin Mary by Caroline Benyon, 2004-6.
By the early 19th century the fabric of the building was in a poor condition and required extensive restoration. Generally this has been under the care of a series of professional architect, including Sir George Gilbert Scott between 1856 and 1878. The exception was the forceful amateur architect, Lord Grimthorpe, who is reputed to have spent £130,000 of his own money on various project, including, controversially, the restored west front. His golden wedding anniversary in 1895, is commemorated by a large four-light window in the south wall of the Lady Chapel. The window, from the Kempe Studio, is an early design by Lady Grimthorpe’s nephew, Herbert Bryans, who would later go on to establish his own successful studio.
Highlight
North transept rose windowArtist, maker and date
Alan Younger, 1989Reason for highlighting
Passing from the new Welcome Centre into the south transept places one in direct view of the great rose window. A joyous and uplifting kaleidoscope of colour by Alan Younger.
Artist/maker notes
Alan Christopher Wyrill Younger (1933–2004) was born in London and worked with successively, Carl Edwards and Lawrence Lee before combining teaching with his own work. A fine colourist and advocate of the glories of stained glass, his work is found in many British cathedrals, including the great rose window at St Albans and the Henry VII Chapel at Westminster Abbey, along with many churches throughout the country.
Comments by
Peter Hildebrand